General information

Musica Iagellonica is a yearly, double-blind peer-reviewed musicological journal, issued since 1995. Its main language is English, however articles in French, German and Italian are also welcome. Its main aims are threefold:

• to make Polish musicological research, largely unknown due to the language barrier, more widely available;
• to promote the musical culture of Central Europe in its European cultural context;
• to publish research into the musical culture of Central Europe carried out by musicologists from around the world.

Each article is provided with an English summary and keywords. All bibliographic references and citations are set according to the Chicago style.

The basic form of Musica Iagellonica is electronic edition (eISSN 2545-0360), the journal is printed as well (ISSN 1233-9679).

The journal has been indexed in the following databases: RILM Abstracts of Music Literature/EBSCO Publishing, Erih+, Central and Eastern European Online Library (CEEOL), The Central European Journal of Social Sciences and Humanities (CEJSH), ANVUR (classe A), ICI Journals Master List and PBN/POL-index.

Each publication in Musica Iagellonica earns 40 points according to the List of Scored Journals issued by The Ministry of Science and Higher Education (PL) on December 1st 2021.

Advisory Board

• Helen Geyer – University of Music Franz Liszt Weimar (Germany)
• Halina Goldberg – Indiana University Bloomington (USA)
• Marta Hulková – Comenius University, Bratislava (Slovakia)
• Alicja Jarzębska – Jagiellonian University in Kraków (Poland)
• Herbert Seifert – University of Vienna (Austria)
• Marina Toffetti – University of Padua (Italy)
• Marek Żebrowski – University of Southern California (USA)

Editorial Board

• Aleksandra Patalas (Assistant Editor)
• Andrzej Sitarz (Assistant Editor)
• Piotr Wilk (Editor in Chief)

Recent Reviewers

• Chris Anderton – Solent University Southhampton (UK)
• Claudio Bacciagaluppi – Hochschule der Künste Bern (Switzerland)
• Joshua Banks Mailman – Columbia University (USA)
• Tomasz Baranowski – University of Warsaw (Poland)
• Jonathan Bellman – University of Northern Colorado (USA)
• Lars Berglund – University of Uppsala (Sweden)
• Irena Bieńkowska – University of Warsaw (Poland)
• Marco Bizzarini – University of Naples Federico II (Italy)
• David Bryant – Ca’ Foscari University, Venice (Italy)
• Peter Bugge – Aarhus University (Denmark)
• Rafał Ciesielski – Jagiellonian University in Kraków (Poland)
• Luigi Collarile – Bern University of Applied Sciences (Switzerland)
• Denis Collins – University of Queensland (Australia)
• Claudia Colombati – Tor Vergata University of Rome (Italy)
• Ewa Czachorowska-Zygor – The Krzysztof Penderecki Academy of Music in Krakow (Poland)
• Andrew Dell’Antonio – University of Texas at Austin (USA)
• Stephen Downes – Royal Holloway University of London (UK)
• Katharine Ellis – University of Cambridge (UK)
• Daniel Elphick – Royal Holloway University of London (UK)
• Zofia Fabiańska – Jagiellonian University in Kraków (Poland)
• Magdalena Figzał-Janikowska – University of Silesia, Katowice (Poland)
• Daniele V. Filippi – University of Turin (Italy)
• Michael Fjeldsøe – University of Copenhagen (Denmark)
• Tina Frühauf – Columbia University (USA)
• Tamaz Gabisonia – Ilia State University (Georgia)
• Halina Goldberg – Indiana University Bloomington (USA)
• Czesław Grajewski – Cardinal Stefan Wyszynski University, Warsaw (Poland)
• David Hiley – University of Regensburg (Germany)
• Tomasz Jeż – University of Warsaw (Poland)
• Jeffrey Kallberg – University of Pennsylvania (USA)
• George Kennaway – University of Huddersfield (UK)
• Grigoriy Konson – The National Research University, Higher School of Economics (Russia)
• Harm Langenkamp – Utrecht University (Nederlands)
• Alessandro Lattanzi – University of Bern (Switzerland)
• Iwona Lindstedt – University of Warsaw (Poland)
• Wojciech Marchwica – Jagiellonian University in Kraków (Poland)
• Biljana Milanović – Serbian Academy of Sciences And Arts (Serbia)
• Bożena Muszkalska – University of Wrocław (Poland)
• Tomasz Nowak – University of Warsaw (Poland)
• Barbara Przybyszewska-Jarmińska – Polish Academy of Sciences, Institute of Art (Poland)
• Guido Olivieri – University of Texas at Austin (USA)
• Noel O’Regan – University of Edinburgh (UK)
• Ágnes Papp – Hungarian Academy of Sciences (Hungary)
• Aleksandra Patalas – Jagiellonian University in Kraków (Poland)
• Agnese Pavanello – FHNW, Schola Cantorum Basiliensis (Switzerland)
• Pierpaolo Polzonetti – University of California, Davis (USA)
• Massimo Primignani – Conservatorio di Musica G. Donizetti (Italy)
• Massimo Privitera – University of Palermo (Italy)
• Zbigniew J. Przerembski – University of Wrocław (Poland)
• Jesse Rosenberg – North Western University (USA)
• Luca Lévi Sala – Manhattan College (USA)
• Alberto Sanna – Liverpool, Hope University, Early Music As Education (UK)
• Nico Schüller – Texas State University (USA)
• Nana Sharikadze – Tbilisi State Conservatoire (Georgia)
• Anne C. Shreffler – Harvard University (USA)
• Zbigniew Skowron – University of Warsaw (Poland)
• James William Sobaskie – Mississippi State University (USA)
• John D. Spilker – Nebraska Wesleyan University (USA)
• Inja Stanović – University of Huddersfield (UK)
• Nejc Sukljan – University of Ljubljana (Slovenia)
• Rodobaldo Tibaldi – University of Pavia (Italy)
• Marina Toffetti – University of Padua (Italy)
• Joseph Toltz – University of Sydney (Australia)
• Ivana Vesić – Serbian Academy of Sciences And Arts (Serbia)
• Magdalena Walter-Mazur – Adam Mickiewicz University, Poznań (Poland)
• Magdalena Wasilewska-Chmura – Jagiellonian University in Kraków (Poland)
• Rob Wegman – Princeton University (USA)
• Piotr Wilk – Jagiellonian University in Kraków (Poland)
• Sławomira Żerańska-Kominek – University of Warsaw (Poland)

Review process and publication ethics

First, every paper is evaluated by the Editorial Board. Accepted texts are referred to two independent reviewers outside the institution affiliated by the author of the publication. Their final reports, prepared according to the MI’s criteria (see the Musica Iagellonica Review Form), are sent back to the editors within 3-4 months. Submitted manuscripts are judged solely on their scholarly merit and relevance to the scope and theme of the journal. A double-blind peer review process is used. The editors ensure that the identity of both the author and the reviewers is protected. The review process is supervised by the editor-in-chief. Reviewers are asked to disclose any potential conflicts of interest that they discover before accepting the assignment or during the review process, as well as to inform the Editorial Board if any intellectual property violations or other abuses are detected. The decision to publish or not to publish is made by the Editorial Board and the Advisory Board. If the contribution does not satisfy basic scientific criteria it is rejected by the editors without contacting with the reviewers.

The Editorial Board follows the principles formulated by the Committee on Publication Ethics (https://publicationethics.org). If unfair practices are suspected, the editors will decide to withdraw the text from publication and take explanatory steps. In the case of an ethical violation in an already published text, the editors will withdraw the article from the website with information about the reasons for the withdrawal, and in the case of a printed text, the editors will include a statement to this effect in the next issue of the journal. The editors will inform the author, the institution of affiliation, the reviewers and the affected persons of the case.

The reviewers submit their opinion in writing to the editor in electronic form, certified by their signature. The opinion should include a recommendation to accept, revise or reject the manuscript. In the event of conflicting opinions between reviewers, the Editorial Board will refer the manuscript to a third reviewer. His/her decision is final. The editors present the reviews to the author without revealing the identity of the reviewers. The author is obliged to respond in writing to the reviewers' suggestions before the article is published.

For Authors

Authors are responsible for the content of their articles. They must guarantee the originality of their work and be aware of the consequences of misconduct. The article should represent the intellectual property of the author. The text should not have been previously published or currently under review by other print or electronic journal publishers..

Each article should be provided with an English summary and keywords. All bibliographic references and citations should be set according to the Chicago style (see https://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-1.html).

Proposals for articles should be addressed to Piotr Wilk, piotr.wilk@uj.edu.pl

Address

Musica Iagellonica Sp. z o.o.

ul. Westerplatte 10

31-033 Kraków

Poland

e-mail: biuro@mi.pl

https://mi.pl/