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Contents

  • Marcin Konik (Kraków) A reception of the idea of the music of the spheres in the music theory of the twelfth and thirteenth centuries    5
  • Zygmunt M. Szweykowski (Kraków) Recitative in the female roles of Stefano Landi’s Il Sant’Alessio     51
  • Wojciech Marchwica (Kraków) Sarmatisation of the Polish Christmas carol—posthumous success of the Jagiellonian dynastic ideology    71
  • Piotr Wilk (Kraków) On the question of the Baroque instrumental concerto typology    83
  • Maciej Jochymczyk (Kraków) Musica figuralis franciscana. Distinctive features of the musical tradition of the Franciscan Order in the 18th century illustrated by ar-rangements of compositions by Father Amandus Ivanschiz OSPPE    105
  • Renata Suchowiejko (Kraków) Between the salon and the concert hall. Maria Szy-manowska’s artistic career from behind the scenes    123
  • Małgorzata Sułek (Kraków) Outline of the biography of count Kazimierz Lubomirski and analysis of his vocal works, using the example of the songs written to the lyrics by Adam Mickiewicz    141
  • Anna G. Piotrowska (Kraków) An early 20th-century Kraków vaudeville by Krumłowski: a cultural transfer or an expression of local traditions?    161
  • Małgorzata Woźna-Stankiewicz (Kraków) Popularisation of knowledge about Chopin in Kraków and the provinces during the first decades of the 20th century    177
  • Dagmara Łopatowska-Romsvik (Kraków) With Norwegian sense of beauty. Synthesis of classical form and Norwegian slått in Eivind Groven’s Symphony No. 2   209
  • Andrzej Sitarz (Kraków) In the shadow of PWM (the Polish Music Publishing House). On some private music publishing houses in Poland in the first decade after the Second World War    225
  • Stanisław Będkowski (Kraków) Symphonic tribute to Mieczysław Karłowicz—Kościelec 1909 by Wojciech Kilar    247

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Pliki do pobrania
pdf
Title page, Editors, Contents
pdf
Marcin Konik (Kraków) A reception of the idea of the music of the spheres in the music theory of the twelfth and thirteenth centuries
pdf
Zygmunt M. Szweykowski (Kraków) Recitative in the female roles of Stefano Landi’s Il Sant’Alessio
pdf
Wojciech Marchwica (Kraków) Sarmatisation of the Polish Christmas carol—posthumous success of the Jagiellonian dynastic ideology
pdf
Piotr Wilk (Kraków) On the question of the Baroque instrumental concerto typology
pdf
Maciej Jochymczyk (Kraków) Musica figuralis franciscana. Distinctive features of the musical tradition of the Franciscan Order in the 18th century illustrated by ar-rangements of compositions by Father Amandus Ivanschiz OSPPE
pdf
Renata Suchowiejko (Kraków) Between the salon and the concert hall. Maria Szy-manowska’s artistic career from behind the scenes
pdf
Małgorzata Sułek (Kraków) Outline of the biography of count Kazimierz Lubomirski and analysis of his vocal works, using the example of the songs written to the lyrics by Adam Mickiewicz
pdf
Anna G. Piotrowska (Kraków) An early 20th-century Kraków vaudeville by Krumłowski: a cultural transfer or an expression of local traditions?
pdf
Małgorzata Woźna-Stankiewicz (Kraków) Popularisation of knowledge about Chopin in Kraków and the provinces during the first decades of the 20th century
pdf
Dagmara Łopatowska-Romsvik (Kraków) With Norwegian sense of beauty. Synthesis of classical form and Norwegian slått in Eivind Groven’s Symphony No. 2
pdf
Andrzej Sitarz (Kraków) In the shadow of PWM (the Polish Music Publishing House). On some private music publishing houses in Poland in the first decade after the Second World War
pdf
Stanisław Będkowski (Kraków) Symphonic tribute to Mieczysław Karłowicz—Kościelec 1909 by Wojciech Kilar