| | |
- Piotr POŹNIAK (Cracow) Word-Painting in the Fifth Book of Motets by Palestrina
| 5 |
- Tomasz CZEPIEL (Oxford) Zacheus Kesner and the Music Book Trade at the Beginning of the Seventeenh Century: an Inventory of 1602
| 23 |
- Anna SZWEYKOWSKA (Cracow) Monteverdi in Seventeenth-Century Poland
| 71 |
- Zofia DOBRZAŃSKA-FABIAŃSKA (Cracow) The Modality of Claudio Monteverdi's Works. The Heritage of Renaissance Polyphony
| 83 |
- Aleksandra PATALAS (Cracow) Marco Scacchi's Characterisation of the Modes in his Missa omnium tonorum
| 103 |
- Zygmunt M. SZWEYKOWSKI (Cracow) Marco Scacchi and his Pupils on the Polychoral Technique
| 131 |
- Tomasz JASIŃSKI (Lublin) The stylus a cappella in the Music of Bartłomiej Pękiel: Artistry and the Transformation of Tradition
| 151 |
- Alistair WIGHTMAN (Stafford) The Book of King Roger. Szymanowski's Opera in the Light of his Novel Efebos
| 161 |
- Teresa CHYLIŃSKA (Cracow) Szymanowski – a Witness of History. Sidelights on Karol Szymanowski's Correspondence: 1920–1926
| 215 |
- Alicja JARZĘBSKA (Cracow) Stravinsky's Serial Music as an Integration of Tradition and Originality
| 237 |
- Małgorzata WOŹNA-STANKIEWICZ (Cracovie) Leitmotiv rythmique dans l'oeuvre d'Olivier Messiaen
| 255 |
| | 267 |
