Contents

• Jessie Ann Owens (University of California, Davis) Introduction 5
• Marina Toffetti (University of Padua) Travelling music: the madrigal Morir non può ’l mio core by Giovanni Maria Nanino and its textual and musical transformations 7
• Cristina Cassia (University of Padua) Bembo, Palestrina, and an English contrafactum: a cross-cultural translation of Gioia m’abond’al cor and its issues 43
• Tomasz Jeż (University of Warsaw) Recomposition of musical works among the Jesuits: practice and theory 69
• Katarzyna Spurgjasz (University of Warsaw) Everybody liked it / likes it / will like it: three possible time-related approaches to contrafacta 81