MI, vol. 15, 2024 - Instytut Muzykologii

Pomiń baner

Contents

  • Marco Mangani (University of Florence) Parodie, ‘contrafacta’ e cadenze: Alcune considerazioni e un caso di studio  7
  • Gabriele Taschetti (University of Padua) Valerio Bona’s ‘Missa Morir non puo ’l mio core’ (1611): a further stage in the journey of Nanino’s popular madrigal   31
  • Marina Toffetti (University of Padua) «Fa ritratto alla Luna»: la musica negli scritti di Agostino Mascardi (1590–1640)  73
  • Katarzyna Babulewicz (Uniwersytet Jagielloński in Kraków) From neoclassicism to sonorism, and (comic) musical collage. The music of Krzysztof Penderecki in selected Polish animated films of the 1960s  111
  • Anna Wójcikowska (Grażyna and Kiejstut Bacewicz University of Music in Łódź) The idea of “open performance” by example of the Warsaw Music Workshop and Gnarwhallaby—a comparative study  133
Pliki do pobrania
pdf
Title page, Editors, Contents
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Marco Mangani (University of Florence) Parodie, ‘contrafacta’ e cadenze: Alcune considerazioni e un caso di studio
pdf
Gabriele Taschetti (University of Padua) Valerio Bona’s ‘Missa Morir non puo ’l mio core’ (1611): a further stage in the journey of Nanino’s popular madrigal
pdf
Marina Toffetti (University of Padua) «Fa ritratto alla Luna»: la musica negli scritti di Agostino Mascardi (1590–1640)
pdf
Katarzyna Babulewicz (Uniwersytet Jagielloński in Kraków) From neoclassicism to sonorism, and (comic) musical collage. The music of Krzysztof Penderecki in selected Polish animated films of the 1960s
pdf
Anna Wójcikowska (Grażyna and Kiejstut Bacewicz University of Music in Łódź) The idea of “open performance” by example of the Warsaw Music Workshop and Gnarwhallaby—a comparative study